2263321

Panophobia

Popularity

Building your popularity is crucial to your success as an artist. Build your popularity by performing well on stage and talking to the media while you tour the world.

City Popularity Exposure
Amsterdam 10 above average 18
Ankara 9 mediocre 16
Antalya 12 nice 79
Baku 8 below average 6
Barcelona 10 above average 25
Belgrade 11 decent 39
Berlin 10 above average 24
Brussels 11 decent 25
Bucharest 10 above average 26
Budapest 11 decent 35
Buenos Aires 10 above average 11
Chicago 10 above average 21
Copenhagen 9 mediocre 9
Dubrovnik 11 decent 30
Glasgow 10 above average 24
Helsinki 11 decent 30
Istanbul 10 above average 16
Izmir 10 above average 18
Jakarta 12 nice 26
Johannesburg 9 mediocre 16
Kyiv 10 above average 24
London 10 above average 24
Los Angeles 10 above average 23
Madrid 10 above average 21
Manila 15 sweet 97
Melbourne 10 above average 28
Mexico City 10 above average 25
Milan 10 above average 27
Montreal 10 above average 18
Moscow 10 above average 21
Nashville 10 above average 17
New York 10 above average 28
Paris 10 above average 20
Porto 10 above average 23
Rio de Janeiro 10 above average 23
Rome 10 above average 24
São Paulo 12 nice 52
Sarajevo 10 above average 23
Seattle 11 decent 30
Shanghai 9 mediocre 20
Singapore 15 sweet 80
Sofia 10 above average 30
Stockholm 11 decent 28
Tallinn 10 above average 24
Tokyo 10 above average 18
Toronto 10 above average 18
Tromsø 10 above average 28
Warsaw 10 above average 21
Vilnius 10 above average 28

Market Segment Popularity

To increase your popularity within a market segment, you need to cater to its interests. Your Market Segment Popularity is determined by how much the market segment like the genres represented on your records and by how famous you are throughout the world. Your record sales are partially based on how popular you are among the different Market Segments.

The market segment popularities for this artist was last updated 6/25/2025.

Market Segment Popularity
Teenage Girls 28
Adult Women 28
Adult Men 28
Teenage Boys 26